Renald-Zanni Entertainment/Character Evolutions

Montgomery Moose

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. It was built by Shafton Inc. of Los Angeles. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. It also used a slightly darker brown fur.
 * Second Touring Suit - 1995-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the mouth movements operated by radio control.

Woolma Lamb

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw.
 * Second Touring Suit - 1995-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the mouth movements operated by radio control.

Bingo Beaver

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. It has noticeably lighter fur than the current suit.
 * Second Touring Suit - 1995-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the mouth movements operated by radio control.

Zipper Cat

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. Zipper's nose was a little larger, and the tail was shorter.
 * Second Touring Suit - 1995-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the mouth movements operated by radio control.

Portia Porcupine

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. It was built by Shafton Inc. of Los Angeles. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. It was also slightly form-fitting.
 * Second Touring Suit - 1995-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the mouth movements operated by radio control.

Matthias

 * Young Matthias Suit - 2000-present - Built by Fuse Special Effects of Paris and operated with Mechanimation equipment. It is styled after Matthias' design in Season 1.
 * Warrior Matthias Suit - 2001-present - Built by Fuse Special Effects of Paris and operated with Mechanimation equipment. It is styled after Matthias' design in Season 2.
 * Older Matthias Suit - 2002-present - Built by Fuse Special Effects of Paris and operated with Mechanimation equipment. It is styled after Matthias' design in Season 3.

Huckle Cat

 * First Touring Suit - 1995-1997 - Used for the original Richard Scarry live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw.

Lynnie Raccoon

 * First Touring Suit - 1995-1997 - Used for the original Richard Scarry live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw.

Hilda Hippo

 * First Touring Suit - 1995-1997 - Used for the original Richard Scarry live tours. The head was made out of a heavier foam material, and was painted using liquid latex and airbrush paint. This costume was operated in a similar way to Big Bird from Sesame Street (one hand operating the bottom jaw, the other in an arm - although if both arms were required, the performer would simply bob the head).