Greeny Phatom/How episodes are produced

This page describes the animation process for Greeny Phatom, its movies and other GP-related material.

Earliest episodes
First, episode storyboards would be drawn with Microsoft Paint, printed out, captured the storyboards frame by frame, put onto 35mm, transferred, and then put into TVPaint for animating, in-betweening, and painting. After the clips were made in TVPaint, they were exported to Windows Movie Maker for editing. When the finished video is done, the episode can be sent to television. Easy, right?

Season 1-10
First, episode storyboards would be drawn with MS Paint, printed out, captured them frame by frame, put on 35mm, transferred, and then put into TVPaint for animation, clean-up, in-betweening, painting, checking, and compositing. After the animation was made in TVPaint, they were then exported to either Windows Movie Maker or Sony Vegas 9 for editing. The voices are then recorded and then imported into TVPaint for lip-syncing.

Season 10-20
Season 10 features a brand new animation style, with storyboards drawn with paint.net, and animation created with TVPaint. When the animation was completed, the animation clips of the episode were then exported into either Windows Movie Maker or Sony Vegas for editing and uploading.

Season 20-present
Season 20 features a whole new animation style, with episodes being made with Adobe Flash, GoAnimate, Aardman's Animate It, Microsoft Paint, paint.net, Scratch, Sony Vegas, Windows Movie Maker, VideoPad, Bandicam, Audacity, TVPaint Animation, Blender, Adobe After Effects, Adobe Premiere Pro, and Cinema 4D. As of October 2017, live action parts are shot with a Canon VIXIA HF R700 and a Sidande MIC-01 all on a tripod. Former Mock Reviewers for Hire Productions has 65 animators working on the project with 6 layout men, along with members in America and other countries.

Opening titles
The opening titles is made with Microsoft Paint for storyboards and backgrounds, TVPaint Animation for layout, animation, clean-up, in-betweening, painting, checking, and compositing, Cinema 4D for background modeling and texturing, lighting, and rendering, Adobe After Effects for visual effects, compositing, and color grading, Audacity for audio editing and recording, Adobe Premiere Pro and Sony Vegas for video editing, and Windows Movie Maker for video editing and uploading.

Episode
The episodes are composed of the following parts:

2D scenes
2D scenes are made with paint.net, Scratch, Adobe Flash, TVPaint Animation, and GoAnimate.

Stop-motion scenes
Stop-motion scenes are made with Aardman's Animate It and TVPaint Animation.

CGI scenes
3D scenes are made with Blender and Cinema 4D.

Mixed animation scenes
Mixed animation scenes are made with a blended mixture of hand-drawn, Flash, stop-motion, and/or 3D CGI animation.

Visual effects
Visual effects are created with Adobe Flash, Adobe After Effects, Cinema 4D, TVPaint Animation, and Sony Vegas.

Audio
Audio is recorded and edited with Audacity and Sony Vegas at Greenyworld Recording Studios in Chicago, Illinois and some other studios including the Dreamworks Animation recording facility in Glendale, California and Skywalker Sound in Marin County, California.

Video Editing
The video is edited with Adobe Flash, WMM, Sony Vegas, Cinema 4D, Adobe After Effects, Adobe Premiere Pro, Bandicam, GoAnimate, and Debut Video Capture software for IRL footage of the creator via EpocCam.

Closing titles
Closing titles are made with Microsoft Paint, TVPaint Animation, Adobe After Effects, Sony Vegas, Windows Movie Maker, and Endcrawl. (Sony Vegas/WMM is more preferred)

D'Ocon-animated episodes
Episodes would be animated with the D'Oc Animation System after the studio got the storyboards from the US. Tapes with the animation on them would be sent back to the US for recording the voices, transferring to computer, and editing.

Behind the scenes
The early episodes that were animated in-house were produced in a converted high school in Utica, New York, where character designer Rod Rodger had attended for high school classes as a exchange student in the 70's. A team of artists drew the frames and storyboards in a computer lab adjacent to the break room located in a carpet-covered former fitness room. The episodes were animated in another room located in a old kindergarten classroom. The original frames used before animation, in-betweening, and clean-up can now be seen at GreenyWorld Studios' Chicago headquarters and some were sold on eBay. Now, as for the original rough pencil test animation frames, they were sent to Greenyworld Studios and its overseas animation studios all around the world for animation, clean-up, in-betweening, scanning, painting, checking, video transferring, compositing, and editing.

James Clayton told a magazine in a interview: "We took digital animation apart like a children's toy and put it back together all wonky, then catapulted it into the future".

The series is considered one of the pioneers of digitally-animated cartoons.

A behind the scenes work for seasons 1-20's animation was included in the season 20 digital release.