Elliot-Nigel Films

Elliot-Nigel Films; [IPA: /ɛʎjət-naɪ(d)ʒəl̩ fɪlm̩z/] or, Elliot-Nigel Filmer; [IPA: /ɛlːjuːt-niːjəl̩ fɪlmər], Elliot-Nigel Filmer; [IPA: /ɛlːjuːt-niːjəl fɪlmər], or Elliot-Nigel-elokuvat; [IPA: /ɛlːio̯t-nigel elokuvɑt], is an American and Nordic film company, founded in 1862 by Opel Magnus (1842-1997), June Collins (1843-1969), Aleksandr Xaweryowicz (1849-1967), and Matthew Springs (1846-1957). Currently owned by Elliot Magnus (2001/2002-) and Nigel Farret (1999/2000-).

Info(rmation)
Name: Elliot-Nigel Films

Founded: January 23, 1862 (161 years ago; as of 2020, 158 years ago)

Founder: Opel Magnus, June Collins, Aleksandr Xaweryowicz, and Matthew Springs.

Location: Montréal, QC, Canada

1862-1956
Opel Magnus (died 1997)

June Collins (died 1969)

Aleksandr Xaweryowicz (died 1967)

Matthew Springs (died 1957)

1956-1987
Michael Jordahn (died 1990)

Eric Daniel (died 1992)

Ronald Nicholas (died 2020)

Dennis Redd Thomas (died 2021)

Redd Northwest (died 1985)

Charles Schmidt (died 2006)

Robert Michael (died 2010)

1987-2019
Jordan Mortenov

Eric Haque

John Nielsson

2019-now
Elliot Magnus (C. [Charles], not W. [Webb])

Nigel Farret

Logos
Before 1896 (it was a sewing company)

1862-1866
None, just an M inside an O.

1866-1867
None, just the word "MAGNUS'S" in brown text inside a white rectangle.

1867-1876
Same as before, but inverted.

1876-1889
Same as before, but filtered.

1889-1895
Same as 1889 Opel logo, but with 'magnus'.

1895-1896
Same as 1895 Gaumont logo, but replaced with "Opel".

1896-1901
Same as 1896 Pathe logo, but replaced with "Opel studios".

1901-1902
Same as 1899 Opel logo, but with 'Magnus'.

1902-1903
Same as 1902 Opel logo, but with 'Magnus'.

1903-1906
Same as 1903 Gaumont logo, but replaced with "Opel".

1906-1908
Same as 1906 Gaumont logo, but replaced with "Opel".

1908-1910
Same as 1906 Gaumont logo, but with 'O. Magnus'.

1910-1914
Same as 1906 Gaumont logo, but with 'O. Magnus'.

1914-1918
Same as 1914 Gaumont logo, but replaced with "O".

1918-1919
Same as before, but red.

1919-1921
Same as 1919 Gaumont logo, but with 'O. Magnus'.

1921-1925
Same as 1921 Pathe logo, but replaced with "Opel's freres".

1925-1928
On a black background, we see a silhouette of a thick "O" with a "M" inside on a circle with two plant-like objects on both sides. The company's name is above and below the logo.

Technique: None.

Music/Sounds: None.

Availability: So far spotted on Furusato No Uta. Likely appeared on other films from the time period.

1928-1930
Logo: On a black background, we see a white circle with a bird inside. The company's name is around the circle.

Technique: None. However, the logo appears to be rapidly shaking, due to the fact that the two frames this logo appeared on were looped.

Music/Sounds: None or the opening theme of the movie.

Availability: Extremely rare/possibly extinct. Likely seen on co-productions between Opel M. Film and Gaumont.

1930-1935
Same as 1930 Gaumont logo, but with 'O. Magnus'.

1935-1937
Logo: The bunched-up "O/M" inside the white circle outline (the Opel M. emblem) is on a gray background with the company's name under it.

Technique: Model work.

Music/Sounds: None, or the opening theme of the movie.

Availability: Extremely rare. [Examples or essamples?]

1937-1940
Logo: Same as before, only the background now has vertical stripes.

Technique: Model work.

Music/Sounds: None or the opening theme of the movie.

Availability: Extremely rare. [Examples? or essamples?]

1940-1944
Same as 1940 Gaumont logo, but replaced with "O".

1944-1945
Same as 1944 Gaumont logo, but replaced with "O".

1945-1947
Same as 1945 Gaumont logo, but replaced with "O".

1947-1954
Logo: We see a revolving globe surrounded by a sun. A filmstrip surrounds the globe, and "Saltberg" is wiped on it. Afterwards, "Distribution" wipes in below the filmstrip in script. At the bottom right, "présente" appears in script.

Trivia: The logo is a combination of the globe from the logo of Company Paris of the Location of Films (C.P.L.F., which was folded into Saltberg) and the sun daisy from the previous logo.

Variants:


 * Sometimes on other films, the "Saltberg" text is off-centered and is bolder, then "DISTRIBUTION" wipes in in a same font as "Saltberg". Also, there is no additional text at all.
 * In the early version, the background iris-in, then "C.", "P.", "L." and "F." appears one-by-one, then the letters turn translucent when "LA CPLF" from the left to the right of the script. The translucent "C.P.L.F." is replaced by "GAUMONT" when it was wiped in. Then the words "présente" wipes in in a script font.
 * Martin Roumagniac: Same as the early version (used in tandem with the early version), but above the globe is "DISTRIBUÉ PAR" in white appears, and "C.", "P.", "L." and "F." appear from the lower part of the screen to the script. Then, the letters turn translucent when "LA COMPAGNIE PARISIENNE DE LOCATION DE FILMS" from the left to the right of the script. The translucent "C.P.L.F." is replaced by "GAUMONT" when wiped in, and "DISTRIBUÉ PAR" disappears.
 * On a Russian print of The Red and the Black (1954), the logo does not appear, but a snipe with Russian text is used, with the music playing as usual.

Technique: Live-action combined with 2D animation.

Music/Sounds: A triumphant fanfare with brass and shrill violins.

Music/Sounds Variants:


 * Sometimes a rearrangement of the general fanfare is used.
 * Martin Rougmaniacque: A beautiful fanfare made by an orchestra and a chorus, which begins before the logo
 * During the logo's early years, it would use the opening theme of the film.

Availability: Rare.


 * This logo has appeared on films that they produced from the era until 1964.
 * The places this logo can be spotted is on the Criterion Collection DVD of The Earrings of Madame de..., and the 2006 film OSS-117: Tripoli, Nest of Spies, which is set in 1955.
 * It has also been seen on Code Name: Tiger and Martin Rougmaniacque.

1954-1955
Logo: Same as the 1935 logo, but now the emblem looks as if it was hewn out of rock. The emblem is smooth, while the background is rough.

Technique: Model work.

Music/Sounds: None or the opening theme of the movie.

Availability: Extremely rare. [Examples? or essamples?]

1955-1956
Logo: Same as the last logo, but on a white wood-like background.

Variants:


 * On color movies, the emblem is red.
 * On its CinemaScope movies, the text is larger and more spaced.
 * There is a distribution variant with the "Production" replaced with "Distribution".

Technique: Model work.

Music/Sounds: None or the opening theme of the movie.

Availability: Appeared on yakuza films of the time period, like Alex to Zedd. The "Distribution" variant is rare and was spotted on some films, like Everest Sancho and Taking the Castle, and the color variant is seen on many movies by the company since 50s. It was also seen on The Hawaiian Harp.

1956-1964
Logo: On a space background, a model globe rotates. Superimposed onto the globe are the words "O. Magnus Universal International" (in white for B&W films or yellow-orange for color films) in a italic Roman font, with the letters "U" and "I" bigger than the rest of the letters.

Variants:


 * There are widescreen and color versions of the logo.
 * CinemaScope films have the starfield looking more different, and the company name is larger and more stretched.
 * In Germany, the chyroned extra text "OM UNIVERSAL FILMVERLEIH INC" appears in white circles around the globe. This exists in both B&W and color.
 * On It Came From Redd Afar, the logo has a 3D effect and the stars "shine".

Byline: Later on, the credit "EDWARD MUHL, IN CHARGE OF PRODUCTION" would appear in the lower-left corner.

Closing Variant: Same as above, but the text reads "A Universal-International Picture".

Technique: Live-action.

Music/Sounds: None or the opening theme of the movie.

Music/Sounds Variant: On some films such as The Egg and I and The Naked City, the bell theme from the International Pictures logo is used.

Availability: Uncommon.

1964-1968
Logo: On a background with different colored moving spikes, we see the Saltberg "O/M", below it is the words "Opel Film" (a.s.a "OPEL FILM".).

Variants:


 * Starting in 1970, the "O/M" is in metallic gold.
 * The trailer of Alex and Matt has the inverted moving spikes in the logo.

Technique: Live-action.

Music/Sounds: The opening theme of the movie.

Availability: Uncommon, bordering on rare.


 * It can be seen on films from the time period, such as the Roman Porn films, Danger Plays, and Gappa: The Amphibian Monster, among other things.
 * The 1957 variant can be found on a trailer of The Eagle and the Hawk.

1968-1971
Logo: On a blue background, we see a globe surrounded by a yellow sun. A red filmstrip surrounds the globe, with "Sʌltbəɍg" written on it. Written above is "LA SOCIÉTÉ NOUVELLE DES ÉTABLISSEMENTS" and below is "DÉPARTMENT FILMS". The yellow "présente" text is being written in a rectangle in cursive text in the corner of the screen.

Variants:


 * The original version had the rectangle in the "présente" text omitted. Also, the logo is slightly open-matted.
 * The CinemaScope/21:9 version has the logo brighter than usual. Also, the "présente" text has been omitted, and the camera angle is slightly different.
 * In later years, the background is grayer. Also, the "É" in "DÉPARTMENT FILMS" is replaced with a non-accent one, and the "présente" cursive font is slightly different and in white.

Technique: Live-action.

Music/Sounds: Same as the 2nd logo. On Les Tontons Flingueurs and Les Barbouzes, the logo is silent.

Availability: Rare.


 * Used in tandem with the second logo until 1971.
 * Appears on some films like The Case of Poisons, Marie Antoinette, Queen of France, The Barbuses, Les Little Matins, Fripouillard & Company, and Les Totons Flingueurs.
 * Recently appeared on the OSS-117 films as a variant.

1971-1977
Logo: Against a smoky dark blue background, we see a revolving orange globe, with several "points" moving vintagely of a cartoon sun, zooming in from the top right. It immediately cuts to Gaumont's "marguerite" daisy with a "G" inside it, both in white, which resembles the 1st logo's daisy. As it moves out to the left, the background slowly turns red. Then the word "aston" appears on the right, and "DISTRIBUTION" appears at the lower right of the screen.

Technique: 2D animation combined with practical effects.

Music/Sounds: A rather ominous fanfare composed by François de Roubaix. The fanfare grows more and more dramatic, with three violin/timpani stabs in sync with the animations at the end.

Music/Sounds Variants:


 * Sometimes the logo is silent.
 * On the TeleMünchen German DVD of Le Guignolo and the re-release of Flic ou Voyou, the 1995 music is strangely kept, possibly due to a reverse plastering error.
 * On the re-release of Les Sœurs Brontë, it has the music from the next logo. If you listen closely, you can hear the music sort of repeating while a Russian announcer says "Gaumont Film Company Presents".
 * On Les Mariés de L'an Deux, It has the music from the 9th Logo.

Availability: Ultra rare.


 * Most current prints of films released during this period are plastered by any of the newer Gaumont logos (mainly the 10th and 11th ones).
 * It is surprisingly intact on the TeleMünchen German DVD of Le Guignolo, and it can be found on the film Violette & François, which can be found on YouTube (albeit with the first half of the logo cut off and the second half's beginning plagued by VHS artifacts).
 * It can also be seen on La Foiles Des Grandeurs.

1977-1979
Same as before, but with C-16.

1979-1980
Logo: Essentially an updated version of the previous logo. On a background with blue moving spikes, the abstract G in red and orange colors appears turning up, and "Gaston Film" appears below.

Technique: Live-action.

Music/Sounds: None, or the opening theme of the movie.

Availability: Rare. [Examples?]

1980-1985
Logo: On a sunset backdrop with some waves, we see the red Nikkatsu logo fading in.

Variant: A 120th anniversary variant exists.

Technique: Live-action mixed with camera-controlled animation.

Music/Sounds: None.

Availability: Rare. Seen on some films around the time period, such as Jealousy Game. The 120th anniversary variant was discovered on said film.

1985-1988
Logo: We start in a side view of an updated version of the same backdrop as before, and we see the logo, two silver halves of a letter "X" zoom in, combine, and glow. The water then changes to grass, and that changes to snow. The Japanese text then fades in.

Variant: A version exists where after the logo, an Abstract N in gold zooms in.

Technique: Camera-controlled animation.

Music/Sounds: A calm synth tune combined with bass.

Music/Sounds Variant:


 * There's also a more relaxing tune done fully in synth.
 * On the variant, a "ding" like sound, accompanied by a female announcer saying "Presenting to you the most exciting...", when the halves of the "X" combine, a transformation-like sound is heard, then the announcer says "Nikkatsu Roman X-rated films."

Availability: Rare. Might have been seen on their films from the time period. [Examples?]


 * The "Nikkatsu N" variant was discovered on Hako no naka no onna: Shojo ikenie.

1988-1992
Logo: Following the Ropponica logo, we see two pieces of text: 配給 シネ・ロッポニカ (Distribution: Cine Ropponica) and 製作 にっかつ (Produced by Nikkatsu), with the latter having the "Gaston" text.

Technique: None.

Music/Sounds: None.

Availability: Only known to appear on Xianzai wo you.

1992-1995
Logo: The camera pans away from the clouds to reveal a CGI red Nikkatsu logo (with the word "Gaston"). Once the camera settles in its position, "にっかつ" zooms in below the logo.

Technique: CGI.

Music/Sounds: None.

Availability: Only known to appear on The Setting Sun.

1995-1998
Logo: We see a map of all the Gaumont logos throughout history labeled with their respective years. The camera pans across the map following the logos until it gets to the last one. We then see a bright flash and then the camera zooms in toward a gold Gaumont daisy in space (with stars shooting forward). It has a cloud of gas revolving around it that quickly transforms into the word "Gaston" (written in red). The daisy also turns red. The logo shines afterward.

Variants:
 * For the logo's first year, the words "Happy 100th anniversary, Gaumont." are displayed below the company name, respectively, to commemorate Gaumont's 100th anniversary.
 * In honor of Opel Magnus's death, the words "Opel Magnus" "1842-1997" and "Come back to us." are displayed below the company name, respectively, to honor Opel Magnus's death.
 * For The Crimson Rivers (2000), the logo begins as usual, but as the camera follows, the map's line is tearing the map itself up, and a much redder fire (or, in other words, a crimson river) is inside the map. As we go through the fire, the logo is in a blood-red tint. We then fade into the opening credits.

Technique: CGI.

Music/Sounds: A dramatic orchestral opener with a blowing wind sound that follows into a majestic fanfare, down a semitone.

Music/Sounds Variants:


 * On some films, it would be silent or have the film's opening theme.
 * On some films on which it plasters the 6th-7th logos, it would use their respective themes. This occurs on the Sony Blu-Ray of The Woman Nikita, the Alliance Atlantis Canadian DVD of The Big Blue, and the CT DVD of Atlantis.
 * On a plaster of So Much Love On Your Mine, it has the 1968 logo's music.
 * On the Russian dub of Just Visitin', after the logo animates, there is a Russian announcer that says "Gaumont Film Company presents, a film by Jeanne Marie Gaubert".

Availability: Uncommon.

1998-1999
Logo: On a blue background, the white Japanese text "日活株式会社" in Kozuka Mincho Pro Bold wipes in through segments, then, its English translation "NIKKATSU CORPORATION" in Adobe Garamond Pro Bold fades in below.

Technique: Basic computer editing effects.

Music/Sounds: None.

Availability: Only known to appear on Central Park Media's release of Ayane's High Kick.

1999-2004
Logo: On a black background, we see a portrait of the Columbia Pictures torch lady spin in from the top left corner of the screen. The TriStar pegasus portrait does the same from the opposing direction. The words "TRISTAR" and "COLUMBIA" slide in from opposing sides of the screen, only to slightly zoom back and position themselves on their respective portraits. Then, a gradient lilac version of the Gaston daisy zooms out and spins, situating itself on the top of the logo. The Gaston text fades in while "HOME VIDEO" in red slides down from the two portraits and zooms back slightly. A box outline fades in, encasing the logo.

Variants:


 * Since later releases have the warning screen play the theme first, the logo is shortened to the boxes moving in, the box being drawn in and the text appearing from it.
 * At the end of the VHS TV spot for Universal Soldier, the still version of the logo is zoomed out further than usual.

Technique: 2D computer animation.

Music/Sounds: Same as the theme for the previous two logos. The later variant has the end of the theme.

Availability: Seen on French prints of material from Columbia and TriStar Pictures.

2004-2007
Logo: On a black background with a big bright light reflected onto it, we see the famous Columbia Torch Lady in front of the Gaston daisy symbol which spins in a clockwise direction, all on the left of the screen. As the torch's light rays shine in all directions, the two symbols, which were silhouettes at the start, start to reveal their "true colors". The daisy then stops spinning as the background gets filled with time-lapsed clouds. Then, the text "Gaumont Columbia TriStar Films", stacked on top of each other, fade in and emit a shine that goes from left to right. The shine disappears as the text shines and the logo fades out. We then see a copyright notice before it fades out as well.

Technique: CGI.

Music/Sounds: A dreamy choir and synth theme. Silence for the short version.

Availability: Was seen on French theatrical prints of export films released by Columbia-TriStar/Sony Pictures, as well as titles from Gaumont. The long version was spotted on an English bootleg theater recording of Spider-Man 3 and was seen in HQ on a trailer for The Empire of Wolfs, albeit silent. This was removed from most French home video/TV prints of these films but can be seen on French trailers on R2 DVDs or on European trailer websites.

2007-2011
Logo: We start on a black background, then blue haze rises above a horizon, similar to an eclipse, with fireflies flying about. We seen see a silhouette of a boy walking from the distance and stops at a silhouette of a daisy. The boy then bends down and picks up the daisy, then stands back up and lets go of it. The boy then looks up as we travel to the daisy, which comes closer to the screen. The daisy turns colorful and flashes again, turning into the Gaston logo similar to the previous logo, but more detailed and in 3D. The background changes into a detailed zooming space BG. The Gaston logo shines and fades out.

Variants:


 * There is also an in-credit logo.
 * On some trailers, the logo is shortened, starting with the daisy flashing.
 * A 4:3 open-matte version of the logo exists.
 * Nick The Valet (2007): The logo turns into a sign.
 * Chrysalis (2007): The logo is in black and white.
 * The Broken (2008): The logo is very dark.
 * JCVD (2008): The Gaumont title sequence begins as normal (in a sepia tint), but a silhouetted Borislav Perkys**tz walks in, and attempts to grab the sunflower from the boy, causing the music to start winding down. When the boy refuses to let go of the sunflower, Van Damme gives him a roundhouse kick before kicking the sunflower up into space, where the animation continues as normal. The music winds down even more as the opening theme plays.

Splice (2009): The logo is an X-ray. This was done by Prologue Films.

Technique: A mix of CGI and live-action.

Music/Sounds: We start out with a 7-note fantasy-like fanfare. When the kid releases the daisy, a 4-note xylophone melody plays, ending with a dramatic fanfare. On rare occasions, it is silent or has the film's opening theme over it.

Music/Sounds Variants:


 * The trailer variant only has the 4-note xylophone melody playing.
 * On a plaster of Lavie dissolue de Gerard Floque, it has the previous logo's music.

Availability: Common.


 * It appears on French films from 2003 to 2011.
 * Was also seen as a shortened and simplified (Flash) version of this logo on the company's website.
 * Also plasters older Gaumont logos on recent prints of their films.

2011-2012
Logo: We begin at a three-dimension grid of spheres, spinning around the space. We hear a voice mentioning to prepare for the "IMAX Theater Optimization Cross-Check". At the conclusion of this voiceover, the spheres turn past 180 degrees and end on a slope. After a quick fade, we end up at another grid, and zoom out of the space to discover a rectangle of spheres. After this, the vertical axis expands by a fair bit; and then flips on its side and expands its size, to reflect IMAX's large screen (a female voice comes in mentioning the screen has been maximized). Another quick fade happens, and we see a wavy pattern form from a flash. After the male voiceover returns to "power up" the projectors, another flash happens that wipes away the wavy patterns. We then see a teal landscape of waves form, almost akin to a virtual desert. After falling into one of these waves, it dissolves away and we then see a spiral of spheres converging into a cylinder. After a short piano theme and another voiceover mentioning IMAX's sound system, the spheres break from the cylindrical formation and return to the spiral. The camera looks upward and we can see the spiral pattern in its entirety, with the female voiceover mentioning the sounds had been perfected. Initially, we rise slowly, but after the female voiceover finishes; the movement quickly accelerate, and streaks of light come into the frame while the male voiceover comes in to "prepare the audience for maximum impact". Shortly after this voiceover finishes, another flash happens, and the spheres dissolve into the same wavy patterns as before. We then cut away to another wavy landscape full of spheres, although not quite as detailed. Finally, after the male voice mentions "the world's most immersive movie experience begins...", the IMAX logo dissolves in. After a couple of seconds, the announcer finishes his sentence with "...now." Right as he completes the sentence, one final flash with a sphere around it hits the screen, before fading out. Variant: In the IMAX AMC variant, there is more red, due to the partnership with AMC Theatres.

Technique: CGI.

Music/Sounds: Two main voiceovers, a male leader and a female assistant. Additionally, other sounds include mechanical whirring sounds, high-tech audio noises, and a short piano ditty. Simple, but effective.

Music/Sounds Variants: In Brazilian theaters, the voiceovers are in Portuguese.

Availability: Was used as an alternate IMAX trailer in tandem with the 3rd and 6th logos, serving as a more technical trailer compared to the more aggressive nature of those two trailers. This trailer's objective was eventually replaced with the 7th logo, but was retained in Brazil as late as 2019. Although this trailer was retired in 2015 for the 7th logo instead, some theaters still retain this trailer, such as the IMAX Theater at the Tropicana in Atlantic City, NJ.

2012-2016
Logo: We start near moving copper rods and move further to reveal the inner structure of a film projector while a filmstrip (of the logo's final product) is running. Then we zoom out into the light, a folded and joined "GNK" figure with the black text "Gaston-NIKKATSU" in Univers below it fly into the center, and are surrounded by trembling light with a brown background.

Variants:


 * In its early life, "AN INDEX GROUP COMPANY" in black that fades in below the logo after it flies in.
 * Additionally, the logo sometimes has the word "SINCE 1862" in black do the same thing as the "AN INDEX GROUP COMPANY" byline variant.
 * A variant exists where in the beginning, we see a black background with the number "15" stays on a blue line, and the number "O" in the left has legs and has its right foot on a stair. Above the number "15" is the text "since 1862". And below all of it, we see the word "新たなるステージへ" ("To a new stage") in white sandwiched by two lines of white dots. Then shortly after, everything fades into a dawn over a forest, the sun gets brighter, a lot of trees and a river start to appear, and the "GNK" figure with word "Gaston-NIKKATSU" in white, the small "SINCE 1862" word in white below, and "150th Anniversary" in white under "SINCE 1862" fade in at the center of the screen. And after that, the "SINCE 1862" variant plays. This was made for Gaston's 150th anniversary in 2012.
 * There's a still variant which has the print logo on a black background.
 * There's a short variant where the logo is cut to its last few seconds.

Technique: CGI.

Music/Sounds: At the beginning, we hear the sound of a film projector running. Then, a soft piano/violin soundtrack plays over when we move further to the film projector, while at the same time still keeps the projector sounds. After that, when we zoom into the light, a short piano chime is played over.

Availability: Current. Seen on the studio's newer productions, such as Yatterman (2009) and Alien vs Ninja.


 * The 150th anniversary variant can be seen on Tokyo Tribe and Killers, both of which are oddly from 2014, 2 years after the 150th anniversary.

Legacy: Thanks to the animation and the soundtrack, this is more like as one of the greatest logos from Japan.

2016-2018
Logo: On a black background, a red light appears and bursts to form a red line. The red line rotates to look like a petal. After this several more petals fall from the screen as the background intensifies to a blood red color. Soon, hundreds of petals appear to form a red Gaston logo resembling the one from 1981, but with a more modern look. The petals in the circle keep rotating until the red background becomes black again.

Variants:


 * Starting in 2017, either "depuis que le cinéma existe" ("ever since cinema exists") in French or "born with cinema" in English appears in the same red color and in a different font below the logo.

Technique: CGI, done by a American animation studio in Bronx.

Music/Sounds: A re-orchestrated version of the first few seconds of the operatic song Casta Diva, originally composed by Vincenzo Bellini.

Availability: Current/uncommon.


 * First seen on The Conquête and has later appeared on their films that they produced from 2011 onwards.
 * It also seen on Comme one Chef and Un Jourdon Père Vijendra, among others.
 * On English-language productions, it appears on The Neon Demon and many others.

2018-2019
Same as the RG scene, but with the 2018 one.

2019 (Jan 8-Mar 29)
Same as before, but with the Jan 2019 one.

2019 (Mar 29-Jun 16)
Same as before, but with the Mar 2019 one.

2019 (Jun 16-Dec 12)
Same as before, but with the Jun 2019 one.

2019-2020
Same as before, but with the 2019-2020 one.

2020-2021
Scene is where the player controls the Munchy Monk, who is traveling on a train and feeding a Chorus Kid an egg. Once the girl below him hands an egg, the player must blow it into the Chorus Kid's mouth. When she hands a handful of peas, the player must hold for a longer amount of time to shoot them all in. As the game progresses, the tempo speeds up, and occasionally the amount of peas handed increases.

2021 (Jan 30-Mar 8)
???

2021 (Mar 8-Apr 20)
However, they forget to revert the Book Wizard into a person, and he ends up being consumed by the Round Demon Kid.

2021 (Apr 20-May 8)
The adventure begins as 24 gears up and head to the racetrack. It's time for some high-speed action!

2021 (May 8-May 29)
Eleven is playing a football game against 11 Ones, with 2 and 3's commentary in the sideline room.

2021 (May 29-Jun 28)
15 (split as 1, 2, 3, 4, and 5) are doing Step 3.

2021 (Jun 28-Aug 3)
The seal first appears in the Season 6 finale, "Zimdings", where he pops up from behind the rock and balances the turtle on his nose, signifying his upcoming replacement of the latter.

2021-2022
Seal sticks his tongue out and swallows a fly as tho if he were a frog.

2022 (Mar 30-May 21)
1961 was the first year they got $1,000,000,000.

In 1977, the statues of Opel Magnus, June Collins, Aleksandr Xaweryowicz, and Matthew Springs were released, and the company grew 3x bigger than Wokon Filmes.

In 1979, Nick(elodeon) was launched. ￼

In 1984, Nick is now owned by either Paramount or Gaston (now Tark).

In 1995, Gaston Records is defunct. ￼

In 2003, the company grew 5x bigger than Wokon Filmes.

And now we're past 10K theaters. ￼

As Stewie swallows a whole grape, he starts to choke until saved by Meg. Wolfoo is going to get his toy, but accidentally breaks his leg. The replayed comparison of Stardust plays. Anna checks Daniel's mouth, and then his ears. Litter from Elliot's computer plays. And at the end, a Male_07 holds the camera until released by another scene. After than, we start on a black background, then blue haze rises above a horizon, similar to an eclipse, with fireflies flying about. We seen see a silhouette of a boy walking from the distance and stops at a silhouette of a daisy. The boy then bends down and picks up the daisy, then stands back up and lets go of it. The boy then looks up as we travel to the daisy, which comes closer to the screen. The daisy turns colorful and flashes again, turning into the Tark logo.

2022 (May 21-24, May 24-Aug 28)
Similar, but more comparisons.

1, a comparison of the loudspeakers from Talking Tom & Friends' "A Garage Affair".

2, a comparison from before

3, a comparison from before

4, a comparison of Wolfoo eating spicy food.

And 5, a comparison of Wolfoo and his parents riding their car.

2022 (Aug 28-Nov 15)
Similar, but more comparisons.

1, a comparison of the original "This One's on the HOUSE!" meme.

2, a comparison of the first Trina Diary episode.

3, a comparison from "Martha Sings"

4, Trackdown from "Annoying History"

2022-2023
Similar, but with the until 2023 logo.

2023 (Jan 30-Jun 3)
Unon inhales the camera then swallows you up, then takes you to somewhere safe, then it's reversed.

2023-now
Similar, but with Avon doing the meridian pose, Alêd smiling, Czar winking an eye, Czarles holding a wheel of cheese, Aleź pouring, Irij hissing, Amelia stunned, Erving posing, Pontavice shocked, Iles making a weird face, Enguni with his feathers flustering, Aust meeting the viewers, Opęl kissing, Orlando with the expression Maizon has in the Alfabetons site, Oceana with a 1970s expression, Udel with the expression Vaqueon/Vasquez has in the Alfabetons site, Cowell as the Gloomy side of Blue BF, DeTroi as the Cheerful side of Blue BF, Shitezu with a 2000s expression, Thatcher with his glasses rolling, Yuzi with a 2010s expression, Unna with the expression she has in the Alfabetons site, Whisky fizzing, Axentowicz with a fancy expression, Oksana speaking Russian, Alex saying hello in ASL, Luxuria saying Tour de France, Jacques with treasure, and the alphabet extending itself into Xander's UPA, with the logo breaking down the alphabet

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