What if Don Bluth moved to MGM?/Don Bluth

Donald Virgil Bluth (/bluːθ/; born September 13, 1937) is an American animator, film director, producer, writer, production designer, video game designer, and animation instructor. He is known for his work on Metro-Goldwyn-Mayer Studios, directing several of its animated films, including The Secret of NIMH (1982), Satyrday (1983), Fievel: An American Tail (1986), The Land Before Time (1988), All Dogs go to Heaven (1989), Igor (2008) and The Adams Family (2019), and for his involvement in the LaserDisc game Dragon's Lair (1983).

Early life and Disney years
Bluth was born in El Paso, Texas, the son of Emaline (née Pratt) and Virgil Ronceal Bluth. His great-grandfather was Helaman Pratt, an early leader in The Church of Jesus Christ of Latter-day Saints (LDS Church). He is of Swedish, English, Irish, Scottish, and German descent.

As a child in El Paso, he rode his horse to the town movie theater to watch Disney films; Bluth said later, "then I'd go home and copy every Disney comic book I could find". At the age of six, his family moved to Payson, Utah where he lived on a family farm. Bluth has stated that he and his siblings do not have much communication with each other as adults. In 1954, his family moved to Santa Monica, California, where he attended part of his final year of high school before returning to Utah and graduating from Springville High School.

Bluth attended Brigham Young University in Utah for one year and after got a job at Walt Disney Productions. He started in 1955 as an assistant to John Lounsbery for Sleeping Beauty. In 1957 Bluth left Disney only two years after being hired. Afterward, Bluth spent two and a half years in Argentina on a mission for the LDS Church. He returned to the United States where he opened the Bluth Brothers Theater with his younger brother Fred, though he occasionally worked for Disney.

Bluth returned to college and got a degree in English Literature from Brigham Young University. Bluth returned to the animation business and joined Filmation in 1967 working on layouts for The Archies and other projects. He returned full-time to Disney in 1971 where he worked on Robin Hood, Winnie the Pooh and Tigger Too, The Rescuers and directing animation on Pete's Dragon. His last involvement with Disney was the 1978 short The Small One. Then he made and produced his first short film, Banjo the Woodpile Cat, which takes place in his hometown Payson, Utah during the 1940s as Banjo travels to Salt Lake City to find the urban world.

MGM Years
On his 42nd birthday in 1979, Bluth, Gary Goldman, John Pomeroy, and 9 fellow Disney animators, set out to start his new life at MGM for their new animation division, MGM Bluth Studios. He drew a few (uncredited) scenes for The Fox and the Hound but left early in production. Bluth was disheartened with the way the Disney company was run. He wanted to revive the classical animation style of the studio's early classics. To this end, his studio, MGM Bluth Studios, demonstrated its ability in its first production, a short film titled Banjo the Woodpile Cat, and this led to work on an animated segment of the live-action film Xanadu (1980).

Teaming up with producer Steven Spielberg, Bluth's next project was An American Tail (1986), which at the time of its release became the highest grossing MGM animated film of all time, grossing $45 million in the United States and over $84 million worldwide. The second Spielberg-Bluth collaboration The Land Before Time (1988) did even better in theaters and both found a successful life on home video. The main character in An American Tail (Fievel Mouskewitz) became the mascot for Amblimation while The Land Before Time was followed by thirteen direct-to-video sequels.

Bluth broke with Spielberg before his next film, All Dogs Go to Heaven (1989). (Bluth was not involved with the Spielberg-produced An American Tail: Fievel Goes West, released in 1991, nor with any of the numerous subsequent sequels to his other films.) Although All Dogs Go To Heaven only had moderate theatrical success, it was highly successful in its release to home video. Like The Land Before Time, The Secret of NIMH, and An American Tail, All Dogs Go to Heaven was followed by related projects, none of which involved Bluth and MGM. He also directed films, such as Rock-a-Doodle (1992), Thumbelina (1994), A Troll in Central Park (1994) and The Pebble and the Penguin (1995), which were critical and box office successes for MGM.