Renald-Zanni Entertainment/Character Evolutions

Montgomery Moose

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. It was built by Shafton Inc. of Los Angeles. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. It also used a slightly darker brown fur.
 * Second Touring Suit - 1997-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the move movements operated by radio control.

Dotty Dog

 * Main Touring Suit - 1986-present - The only suit used since the beginning of Renald-Zanni's Get-Along Gang tours. It was built by Shafton Inc. of Los Angeles but was later refurbished by Fuse Special Effects of Paris. It was originally operated the same way as Montgomery's first suit, but is now operated with Mechanimation equipment.
 * Alternate Touring Suit - 1997-present - A backup built by Fuse Special Effects. It debuted on The Get-Along Gang Live!: Happy Birthday Dotty! in 1997, where it was used as a double for quick entrances and exits. It was later used in Kids for Character TV, and as a double for a cheerleading sequence in Kids for Character: Moov'n & Groov'n. It has also been used on Renald-Zanni's Get-Along Gang tours in Asia & Europe.

Woolma Lamb

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw.
 * Second Touring Suit - 1997-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the move movements operated by radio control.

Bingo Beaver

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. It has noticeably lighter fur than the current suit.
 * Second Touring Suit - 1997-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the move movements operated by radio control.

Zipper Cat

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. Zipper's nose was a little larger, and the tail was shorter.
 * Second Touring Suit - 1997-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the move movements operated by radio control.

Portia Porcupine

 * First Touring Suit - 1986-1988 - Used for the first three The Get-Along Gang live tours. It was built by Shafton Inc. of Los Angeles. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw. It was also slightly form-fitting.
 * Second Touring Suit - 1997-present - The current suit. It was built by Fuse Special Effects of Paris, and is operated with Mechanimation equipment, with the move movements operated by radio control.

Huckle Cat

 * First Touring Suit - 1995-1997 - Used for the original Richard Scarry live tours. This costume was operated by having the lower jaw connected to a balaclava the performer wore underneath the head, and had the performer lip-syncing to the pre-recorded voice track to move the jaw.

Hilda Hippo

 * First Touring Suit - 1995-1997 - Used for the original Richard Scarry live tours. The head was made out of a heavier foam material, and was painted using liquid latex and airbrush paint. This costume was operated in a similar way to Big Bird from Sesame Street (one hand operating the bottom jaw, the other in an arm - although if both arms were required, the performer would simply bob the head).